| IMN
(Idaho Music Notes): What is an AcoustiCoil?
DN (Don Novy): An insert to the bore designed for woodwind
and brass instruments to improve their response acoustically.
IMN: It goes inside the instruments?
DN: Yes
IMN: What does it look like?
DN: It's coiled in the shape of a compressible sleeve, made of
tough, resilient industrial polyester. This unique design permits a
"spring fit" and adaptability to the various bore sizes of
instruments.
IMN: Won't something like that "blow-through" an instrument?
DN: No. Actually, contrary to what one would think from the many
references to the air "stream" in wind and brass instruments,
an instrument's air column moves through it quiet gradually. You can
observe this by exhaing smoke through an instrument as you play; it
exists several seconds later.
IMN: So there's not much "force" to the air inside
an instrument?
DN: No, not in the lateral sense. As soon as sound is produced,
the air column is vibrating rapidly, true, but like a solid mass from
the point of initial impulse (mouthpiece) to the point of no pressure
(bell or tone hole). Also, as the speed of the air column's vibration
determines pitch, it divides into long and short longitudinal "standing"
waves (alternate regions of high impulse pressure/non-pressure). This
rapidly vibrating air column, then, slowly displaces itself.
IMN: Why improve response on an instrument?
DN: WIth improved response, instruments play with better focus,
projections, and resonance. It's the difference between "professional"
and "student" line instruments. The more expensive professional
level instruments invariably play with better response than less costly
student models. Difficult articulation, dynamics, intonation, and range
problems are elssened and endurance is improved with better response.
The player doesn't have to work as hard!
IMN: How does the AcoustiCoil improve response?
DN: By "constructive interference"....That is, this
is what happens to waves on water when they intersect each other...they're
taller at that point and therefore their interference is said to be
"constructive". Similiarly, the AcoustiCoil's patented edge
technologically increases the strength of the standing waves in instruments.
It's the same thing as an "impedance loop" in electronics,
which matches impedance and produces more power.
IMN: What's that....impedance, that is?
DN: In electronics (and acoustics), impedance is the ratio of
input to resistance. And...when you transfer this equation to making
music with a wind or brass instrument, the player is obviously the input
and the instrument the resistance. Now, if we match impedance (add input
and resistance simultaneously), as the AcoustiCoil does, up to a certain
point the player doesn't have to exert as much input to play his instrument.
IMN: You mean, it makes it easier?
DN: Yes!
IMN: How did you ever come up with this?
DN: Back in 1973 I discovered a way to make interference constructive
to the standing wave in horns. I had often wondered why one particular
valve combination on my trumpet seemed play better before it was "fixed"
with new felt piston pads. Contrary to
what every repairman had ever told me, my experience was always that
the A-flat (second and third valves down) appeared to lose some of its
presence each time I had the valves repaired with new felts. This is
routinely done to re-align piston and valve casing ports when the pads
become worn, to "return the horn to playing like new.". However,
in the case of my A-flat, it played better "like, old!"
Intrigued, then, by this disparity between a common
repair practice and my "old A-flat", I set about to research
the whole field of interference in physics and acoustics.
IMN: Did your research then reveal new information?
DN: Actually, it revealed old information! A 1953 research report
from the Defense Research Institute at the University of Texas proved
years earlier that interference caused by an abrupt change in a cylindrical
acoustical system (like that of a trumpet) can produce a matched impedance
(added in-put from mismatched ports, as in my "old A-flat!). Knowing
this, I then established the "AAIIRR" power custom repair
for better response on piston-valved brasswind instruments; the AAIIRR
logo derived from Acoustically Adjusted Interference for Improved Reponse
through Research, patented in 1976.
IMN: How did the AcoustiCoil come about then?
DN: A friend who is both a trombonist and a doctor of physics
suggested that since all wind and brass instruments work the same acoustically,
I could improve his instrument by simply designing an insert to the
bore containing the same constructive interference as the AAIIRR formula...I
did, and it did!
Subsequent requests from family, friends, and associates
to see if I could improve the response on their instruments have now
resulted in twenty-one models of AcoustCoil; one for almost every type
of brass or wind instrument.
IMN: What has been the response from players to AcoustiCoil?
DN: Most players find it hard to believe at first...but then,
afet actually using it, become ardent believers! Surprised, they've
said "it's amazing", "I like it", and "How
did you do that?" far more than "noticed no difference"
or "not for my instrument."
IMN: Are there, then, negatives to the AcoustiCoil?
DN: Positive responses by far outweight the few negatives; the
AcoustiCoil and installation area within the instrument have to be kept
clean to function well..However, that should go without saying on all
brass and wind instruments! Also, not all instruments or players necessarily
need response improvement...Some highly competent players view any change
as distruptive to their technique...And, the degree to which an AcoustiCoil
improves an instrument is of course dependant on how responsive it is
to start with. Some instruments respond very well. Overall, however,
I've found that most instruments and players can use, and/or welcome
the AcoustiCoil's help...For those who don't, it comes with a money-back
guarantee...and, in the past year we've had less than a 2% return. This
is very gratifying to me in that it shows that the AcoustiCoil does
indeed help players 98% of the time!
Packaged as a complete "do-it-yourself" kit including illustrated
instructions and a retriever/gauge tool fo adjusting the coil's inner
reflective edges, AcoustiCoils retail for $35.00 and may be ordered
direct. For a free brouchure and additional information, click here
.
Image Courtesy of the AcoustiCoils website.
This image was not included with the original article.
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